- DOWLAND, John
- (1563-1626)
John Dowland was the foremost composer of English lute music. From an artisan family, the seventeen-year-old Dowland went to Paris in the service of the ambassador to France, Sir Henry Cobham, possibly in order to study music. He apparently married young—his son Robert, also a musician, was born about 1586—but little is known about his wife or other children. In 1588 Dowland earned his bachelor's degree in music from Oxford (on the same day as Thomas Morley*) and was playing music at court by 1590. In 1594 he applied without success for a position as one of Queen Elizabeth's* musicians and then set off on a European tour. From the Continent he wrote to Elizabeth's secretary, Sir Robert Cecil, claiming to have been converted to Catholicism in his youth in France (influenced by "these most wicked priests and Jesuits") and offering to return to the true religion of Her Majesty. As his first two European hosts were staunch Protestants, as was his son's godfather Sir Robert Sidney, Dowland's supposed conversion from Catholicism may have been a ploy to attain Elizabeth's favor. In 1597 Dowland published the first of his several collections of lute music, The First Booke of Songs, and the following year he was appointed lutenist at the court of Christian IV of Denmark. My Observations and Directions Concerning the Art of Lute-Playing was published in 1604. His other publications were The Second Booke of Songs (1600), The Third and Last Booke of Songs (1603), Lachrimae or Seaven Teares (1604), and A Pilgrimes Solace (1612). From 1606 he was given various court appointments in England. Considered proud, irritable, and melancholic, Dowland was admired by Thomas Campion.* Dowland's lute music has been much performed and recorded in the twentieth century, and several pieces were adapted by Benjamin Britten.BibliographyD. Poulton, John Dowland: His Life and Works, 1972.Jean Graham
Renaissance and Reformation 1500-1620: A Biographical Dictionary. Jo Eldridge Carney. 2001.